78 79 stage name nome d’arte biblioteca / bibliotheque Scot D. Ryersson & Michael Orlando Yaccarino, Infinite Variety. The life and legend of the Marchesa Casati – Ultimate edition [IT: Infinita Varietà. Vita e leggenda della Marchesa Casati], ed. University of Minnesota Press, 2017 Andrew Bolton, Manus x Machina: Fashion in an Age of Technology, ed. Pck Pap/Bk, 2016 Groninger Museum, Iris Van Herpen. Transforming Fashion, ed. First, 2015 Lidewij Edelkoort, Philip Fimmano, Fetishism in Fashion, ed. Frame Publishers, 2013 Marie-Ange Brayer, Frédéric Migayrou, Naturaliser l’Architecture, ed. XYX, 2013 Bradley �uinn, Fashion Futures, ed. Merrell Publishers, 2012 Michel Foucault, Le corps utopique suivi de Les hétérotopies [IT: Il corpo, luogo di utopia | EN: The utopian body], ed. Nouvelles Ligne, 2009 Zygmunt Bauman, Liquid Modernity [IT: Modernità liquida], I ed. Cambridge: Polity Press, 2000 Mario Perniola, Il sex-appeal dell’inorganico [EN: The sex-appeal of the inorganic], ed. Einaudi, 1994 Walter Benjamin, Das Passagen-Werk [IT: I Passages di Parigi | EN: The Arcades Project], I ed. Suhrkamp, 1983 Luisa Valeriani, Dada Zurigo. Ball e il Cabaret Voltaire, ed. Martano, 1970 Marguerite Yourcenar, L'Œuvre au Noir [IT: L’Opera al Nero | EN: The Abyss], I ed. Gallimard, 1968 Jean Cocteau, Le Coq et l’Arlequin [IT: Il Gallo e l’Arlecchino | EN: Cock and Harlequin], I ed. La Sirène, 1918 | ibid., Portraits-Souvenir 1900-1914 [IT: Ritratti-ricordo, EN: Souvenir Portraits], I ed. La Sirène, 1935 Jules Verne, De la Terre à la Lune, trajet direct en 97 heures 20 minutes [IT: Dalla Terra alla Luna | EN: From the Earth to the Moon], I ed. Pierre-Jules Hetzel, 1865 Walt Whitman, Leaves of Grass [IT: Foglie d’Erba], I ed. Rome Brothers, 1855 Edmund Burke, Philosophical enquiry into the origin of our ideas of the Sublime and Beautiful [IT: Un’indagine filosofica sull’origine delle nostre idee di Sublime e Bello], 1757 - I ed. Charles W. Eliot, 1909 edicola / newsstand Stefano Maffei, Sul corpo, Nel corpo, Per il corpo, Domus Innovation Issue, 2018 * Séverine Saas, Iris Van Herpen: «L’art et la science sont liés: ils questionnent tous deux la vie», Le Temps, 2017 * Charmaine Li, A celebration of Iris Van Herpen by five key accomplices, from Tilda Swinton to Marina Abramović, AnOther Mag, 2017 * Rebecca Mead, Transformer. Iris Van Herpen’s hi-tech couture, The New Yorker, 2017 * Barbara Markert, High-tech & High Heels, Lufthansa Magazin, 2016 * Ginevra Bria, Haute Couture 4D, Artribune, 2016 * Emma Robertson, Iris Van Herpen: I try to stretch the boundaries, The Talks, 2016 * Véronique Hyland, The designer who mixes cutting-edge technology with couture tradition, The Cut – New York Magazine, 2016 * Leanne Wierzba, What is luxury? Interview with Iris Van Herpen, Victoria & Albert Museum blog, 2015 * Mhairi Graham, Iris Van Herpen: fashion’s hi-tech priestess, Dazed Digital, 2015 * Iris Van Herpen: Transforming Fashion, High Museum of Art, Atlanta, Google Arts & Culture, 2015 * Suzy Menkes, Iris Van Herpen, sorceress of style, Vogue UK, 2015 * Noah Lehava, This is what it takes to put on a couture fashion exhibit, The Coveteur, 2015 * Alice Gregory, Iris Van Herpen’s Intelligent Design, T Magazine – The New York Times Style Magazine, 2015 Marco Morello, Futuro anteriore. La moda ai tempi della stampante 3D, Flair, 2014 * Kathleen Beckett, Iris Van Herpen and a different way of thinking, New York Times, 2014 * Anna Battista, Architectural digital-scapes: discovering Iris van Herpen, Irenebrination, 2011 videoteca / videotheque * Lisa Immordino Vreeland, Art of Style, ep.8: Iris Van Herpen, 11’56’’, 2018 * Nick Knight, SHOWstudio presents: Lucid, 2’16’’, 2016 Thierry Demaizière, Alban Teurlai, Relèvé – Histoire d’une création, 110’, 2015 * Philip Beesley: Hylozoic Ground, Vernissage TV, 2010 André Delvaux, L’Opera al Nero, 110’, 1988 David Lynch, Dune, 137’, 1984 * Georges Méliès, Le voyage dans la lune, 12’51’’, 1902 * materiale disponibile online – available online resources Dove non diversamente specificato, le immagini presenti nella rubrica #nome d'arte le cui courtesy non appartengono direttamente agli artisti sono state lasciate in licenza Creative Commons. Unless otherwise specified, images that are not courtesy of the artists have been released on the basis of a Creative Commons licence. mediateca / mediatheque Iris van Herpen, Syntopia, autumn/winter 2018/2019 credits: Swan Gallet - courtesy: Iris van Herpen
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